david gilmour delay settings david gilmour delay settings

The TC Flashback can be set up with the Tone Print edito. delay 2: 254ms -- feedback 1-2 repeats - delay level: 55% -- delay type: digital delay 2 alternate: 90ms -- feedback 1-2 repeats - delay level: 55% -- delay type: digital, Run Like Hell - Delicate Sound of Thunder and Pulse - two delays in series (TC 2290 Digital Delay for main delay + 2290 ADT effect): delay 1 time (main delay): 380ms -- feedback 8-10 repeats - delay level: 95% -- delay type: digital Free shipping for many products! HH IC-100 amplifier with built in tremolo. The delay time must also be precisely in time with the song tempo. Sometimes these are called "parallel mixers" or "looper" pedals. This is probably spring reverb from David's Twin Reverb. moderate reverb, probably from the plate reverbs at Abbey Road studios. Let's see some of the units he used over time. Pink Floyds and Gilmours music is timeless, and the albums are a must-listen for any musician who wishes to define and expand genres. A DD-2 was also seen in David's Medina studio around 2017. The tone is broken down to illustrate what each effect adds to the sound, in this order: Boss CS-2 compressor, Boss CE-2 chorus, Boss RT-20 Rotary Ensemble, FTT Future Factory stereo delay, BKB/Chandler Tube Driver. 380ms -- feedback 7-8 repeats - delay level: 90% -- delay type: digital, Run Like Hell - 1984 live versions - two delays in series, each with a different delay time (MXR M113 Digital Delay and Boss DD-2): The best way I have found to create the smoothest delay is to simply set it in time with the song tempo. The settings Gilmour uses usually create a minimal effect, but his sompressors really helps to smooth out the tone and playing. I have one for specific time settings, for things like Run Like Hell and Give Blood, so I know in numbers (delay time in milliseconds) what setting I need to use. The Binson Echorec is an analogue echo unit made by Binson in Italy. Last update September 2022. delay 2 time: 360ms, Us and Them - Pulse version (TC 2290 Digital Delay): >> Click to read more <<. Delay settings for Pink Floyd's David Gilmour sound Breathe Intro Using One Delay - One 440ms delay with 4-5 repeats also works well. This the dominant delay, but there is also a 300ms delay low in the mix The simplest option is to use an online Beats Per Minute caculator, like this one. It had a maximum 16kHz bandwidth up to 800ms, with a maximum delay time of 1600ms, expandable to 3200ms. The S-O-S unit was basically a buffered interface with two send/returns. Its more compact, more reliable, and just easier to use. His main analog delays were nearly always the drum type, like the Echorec, which only had high end-roll off as the magnetic drum and record/playback heads aged. Note that some people confuse mixing delays in parallel with "stacking" multiple delays or running a stereo setup with one delay going to one amp and another delay going to different amp. solos: 660ms -- feedback: 6-7 repeats, Time: Below is a breakdown of how to play this effect. volume swells in verse section after second solo: 540ms and 620ms -- feedback: 4-5 repeats 8-10 repeats on each. You could get some wonderful delay effects that aren't attainable on anything that's been made since. Fine tune it until you hear the repeats are exactly in sync with the song tempo. If your delay does not have a dry defeat feature, it is pointless to use in a parallel setup. 310ms -- feedback: 3-4 repeats VISIT MY SWORDS, KNIVES and FANTASY ART WEBSITE www.kitrae.net. First you hear a single muted note picked with a 294ms delay set for 7 repeats (played twice). That equates to 250 - 240ms. Electric Mistress - How to use it - Settings first solo: 340ms -- feedback: 3-4 repeats David Gilmour is known for using his delay creatively, mostly by sort of using it as a reverb instead of it being purely an echo. second solo: 750ms -- feedback: 4-5 repeats, Comfortably Numb - MLOR tour: - David Gilmour, Guitar World March 2015, As I recall, he (David) used a Hiwatt stack and a Binson Echorec for delays. Head 4 = 300ms (or 75ms x 4) .Head 4 = 380ms (or 95ms x 4) Tutorial - Run Like Hell (David Gilmour) Delay Setting - YouTube April 9, 2022. by Joe Nevin. BKB Tube Driver, Electro-Harmonix Electric Mistress, TC Nova delay. All those divisions and subdivisions will be in time with the song. We are a participant in several affiliate programs including but not limited to the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites. The official live recordings often have an even larger delay sound than the studio versions. A few of David Gilmour's vintage Binson Echorec 2 model T7E delays. intro and verse volume swells, first solo: 480ms -- feedback: 6-7 repeats Solo (several multi-tracked guitars): main delay 312ms / second delay to simulate offset multi-tracked guitars: 440ms, Time - Pulse version (TC 2290 Digital Delay): Guitar stuff, gear stuff, soundclips, videos, Gilmour/Pink Floyd stuff, photos and other goodies. buildup and arpeggio delay time: 300-310ms -- feedback: 7-8 repeats - delay level: 40% -- delay type: analog/digital, Eclipse David Gilmour Sound Part 4/4: DELAY & SETUP HISTORY Musicoff - Where Music Matters 129K subscribers Subscribe 1.4K 243K views 11 years ago David Gilmour ed il suo suono al centro della. second solo before verse: 350ms -- feedback: 3-4 repeats Two delays running at different times fill in gaps between delay repeats, making the delay sound smoother with less obvious repeats. You can change the feel of the delay repeats by cutting the 600ms delay time in half to 300ms, 1/4 time to 150ms, or double it to 1200ms, et cetera. DELAY SETTINGS - Some of Gilmour's most commonly used delay times are 300, 380, 440, 480, 540, and 630ms. Reaction score. I just played the bass through it and made up that little section, which we then stuck on to a bit of tape and edited in. It plays through first with the guitar and delay, then plays through again with just the left channel dry guitar, then again with the right channel, which is a multi tracked guitar, but delayed behind the left channel guitar. The first is set in 3/4 time (dotted eighth notes) for about 8 echo repeats at exactly 380ms, or three repeats for every song beat. David could play a chord while the delay rhythm repeated, and jump back to the delay rhythm before the repeats stopped, almost as if there were two guitars playing. For example, I compared the 5.1 surround sound mix of the second On an Island solo with the solo in Castellorizon (from David's 2006 On an Island album). Volume 85% I do hear what sounds like multi-head repeats in the chorus section of the first band demo however, so that could have been the Echorec. It takes some practice, and you have to be very precise with your timing or you can easily get out of step with the song tempo. Play the note, let it repeat, then play the note a second time where the 1400ms repeat would be. Echorec head 4 = 312ms / Echorec head 1 - 78ms Use the feedback option to set it right where you think it sounds closest. David would use the latter setting for most of the album. Here is a clip of a single 330ms delay playing the Blue Light riff. solo: 430ms -- feedback: 5-6 repeats - delay level: 15% -- delay type: analog, Keep Talking: The best representation of this is a 340ms delay set for 3-4 repeats, On An Island: To get the 4/4 time delay, simply multiply 126.7 x 4 = 506.8ms. The reason David used multiple delays was to set each for a different delay time setting for specific songs and to adjust delay time on-the-fly during shows. Although it is not often that this roll-off effect was heard in David's use of the Echorec, you can clearly hear it in the echo repeats in the very beginning of the song, I started off with a Binson Echo unit, which is like a tape loop thing. The third and final (that we know of) delay he usd was the TC Electronic 2290 rack unit. FINDING THE "TRIPLET" TIME DELAY FOR A SONG - David has sometimes used a rhythmic 3/4 time delay, what he calls "triplet" time. The 3/4 time delay is 380ms and the second 4/4 delay time is 507ms, or one repeat on every quarter note (one beat). For the modulation, I use an old green 18v Electric Mistress or a 1980s era Deluxe Electric Mistress in the big box. analog gear was not as good as digital at the time, so the belief that analog is always better than digital arose. There are also instances where he has had a long delay time, but only one or two repeats, which gives the big sound, but makes the repeats almost inaudible in the band mix. The original band demo, heard in The Wall Immersion Set, has a much bouncier, more disco-like feel, so I think the 4/4 delay is much more prominent in that mix. 5,744. To truly delve into David Gilmour's sound, you'd need to do a lot of research and buy a lot of vintage gear. The slide parts were made up of several multi tracked recordings, each playing slightly different, but similar phrases. 80x2 = 160. The delay and reverb are usually not mixed particularly loud, but the overall combined wet delay/reverb mix is very effective. volume swells: 1100ms -- feedback: 4-5 repeats. Delay Type: Analog delays are warm sounding, with repeats that are softer sounding than the original note due to a high end roll-off. WHY CAN'T I HEAR THE ECHO REPEATS IN SOME GILMOUR/PINK FLOYD SOLOS? You might be tempted to make it ear piercingly loud, but trust me on this, a little goes a long way, especially when playing with other people. solo: 680ms -- feedback: 1 repeat - delay level: 30% -- delay type: digital. Both types have been described as "warm" sounding, which can get confusing. This would not only be one of the only times David is known to have used a tape delay effect live, but he seems to have used it much earlier than other guitarist more well known for this effect. chords / arpeggios: 480ms That equates to 428ms, which we will call the 4/4 time. Run Like Hell with 380ms and 507ms delay in series. On Reverb, the average Echorec sells for between 3500$ to 5000$. Some songs require softer, warmer analog sounding repeats, and others require cleaner, more accurate digital delay repeats. delay time for both solos: 465ms or 480ms - feedback: 15-20% -- delay level: 20% (30-35% for waving part) -- delay type: digital, Comfortably Numb - Pulse version and most Division Bell tour performances: He then upgraded to an MXR Digital Delay System II. Below is a link to a song-by-song list of Gilmour's delay settings, compiled from measuring the echo repeats in official releases and bootlegs of live recordings, and from delay times visible on the LCDs of his digital delays. Head 3 = 3/4 Below is a link to a song-by-song list of Gilmour's delay settings, compiled from measuring the echo repeats in official releases and bootlegs of live recordings, and from delay times visible on the LCDs of his digital delays. 410ms: feedback: 7-8 repeats - delay level: 90% -- delay type: warm digital, Terminal Frost - 1987-89 live version: intro: 780ms, Coming Back To Life - Pulse version (MXR Digital Delay II and TC 2290 Digital Delay): first solo: 507ms -- feedback: 2-3 repeats This is a big part of Pink Floyd's sound. The Blue: It features two separate bass guitar tracks played in time with a single head delay (head 4) from the Echorec. Andrew Bell has 42 posts and counting. It's just like the old Echoplex unit - David Gilmour from Guitar for the Practicing Musician, 1985, The Binson was an Italian made delay unit. verse: 360ms 614ms -- feedback: 6-7 repeats, Rattle That Lock: To do this manually, turn the feedback on your delay up to around 80% or so, so the repeats are almost infinite. Some duplicate the studio album delay times and some duplicate the live delay times. intro slide guitar: 1023ms This was most likely a reel-to reel recorder set up for a tape-loop delay. His first was an MXR 113 Digital Delay System, one of MXR's first rack effects. For example, 380ms is your triplet time. Alans Psychadelic Breakfast with 2.2 second tape delay_Oct 1970. 560ms: feedback: 7-8 repeats - delay level: 25% -- delay type: clear digital, Sorrow Solo - Strat Pack version: For the solos, Gilmour played his iconic black 1969 Fender Strat into an amp setup that was essentially a smaller version of his stage performance rig, consisting of a 100-watt Hiwatt half stack and a Yamaha RA-200 revolving speaker system, with the Hiwatt and Yamaha run in parallel. There are so many different delays available now that it can be confusing to know which one is appropriate for Gilmour tones. 147ms (2X the delay repeats), or 2 pulses for every delay repeat. To get the second delay in 4/4 time, multiply 150 x 4 = 600ms. Many of the sound effects youll hear on the earlier albums were created with this machine. Some duplicate the studio album delay times and some duplicate the live delay times. That delayed chord would ring on through the second Hiwatt for approximately 20-30 seconds before decaying, simulating a sustained keyboard chord. It was used for the early live version of, There is a misconception that David always used the Echorec for its multi-head function, but in reality he primarily used it in single playback head mode, just like any other typical delay. I am not talking about spring reverb from an amp. I'll keep this simple rather than going into an explanation of time signatures. 1st delay 500ms. Using two delays to simulate the multi head Echorec effect - 470ms and 352ms. Although it is simple to play, you must play exactly in time with the delay or it will sound sloppy. The shorter delay fills in the gaps between the longer delay repeats, creating a smooth delay sound, but the delay time on both makes the repeats fall inline with the song tempo. Delay Level: This is the volume level of the delay repeat compared to the original signal. One is added before the signal hits the amplifier and speakers, so the reverb itself is amplified and prcessed by the amplifier circuitry. David Gilmour Delay Time Library - Kit Rae If you have a subdivisions setting (quarter notes, eighth notes, dotted eighth notes, et cetera) set it to quarter notes, or the normal setting. The studio recording was likely duplicated and played back 440ms behind the original guitar recording to create the effect, or the mixing board was outfitted with a longer delay to create the effect in the mix. It was set for a light overdrive setting and was most likely an always-on pedal. Fat Old Sun- 2015/16 live version: second solo: 640ms -- feedback: 6-7 repeats As technology was progressing, the use of rack effects units became more and more efficient. Its also easier for live situations as changes can be made on the fly. He did sometimes use the Swell mode. NOTE: This website is frequently updated. 3rd solo: 430ms, Money solos - 2015/16 live version: This 3/4 and 4/4 delay can be used for more than just some Echorec effects. He began using digital delays in place of the Echorec around 1977. 1 2. I also use it to add some of the bigger room and concert hall sounds. He set the time to 310ms for most everything. 1st delay 470ms. Exact 3/4 time is 150 x 3 = 450ms, which is our main delay time. It makes for a sound that really adds depth to the guitar tone in the mix, but is not cluttered by delay repeats. 650ms delay first, with 2 repeats, and 1400ms delay second with 1 repeat. For the multi-head Echorec sound needed when performing the intro to Time and the four-note Syd's theme section of Shine on You Crazy Diamond he used two delays, and sometimes three! You can also set the second delay to 254ms, which gives three repeats for every beat and adds a shorter, thick ADT slapback sound to the main 380ms delay. I go a little in-depth for all three of them, and Ill give some tips on how you can emulate his sound. Below is an example from 2016 of David Gilmour using three delays to simulate the Echorec sound in Time. Here is a breakdown from the Great Gig multi tracks. The other delay is set in 4/4 time (quarter notes) at 507ms, or one repeat on every beat. It only added a very slight gain boost to his clean amp tone, but . He also used an Echorec PE 603 model from 1971-75 that had a maximum delay time of around 377-380ms. La guida un lavoro in continua evoluzione ed in continuo aggiornamento. NOTE: This website is frequently updated. Because the notes all intertwine, it doesn't matter anyway, but I find that I usually set them on a triplet. I don't think I'll ever stick to one instrument - but the great thing about life is you don't have to. This was most likely a reel-to reel recorder set up for a tape-loop delay. A single delay set at 1400ms with 3 repeats has a similar feel as well. The second send went to a Roland SDE 3000 digital delay in his rack, with individual level controls for both the send and return, along with a mute switch. outro solo : 550ms -- feedback: 3-4 repeats, Take It Back: If running both delays in series, set the repeats however long you can go before oscillation starts, which is 8-10 repeats on most delays. I use the MXR Digital Delay. outro solo: 430-450ms, One of These Days studio version (Binson Echorec): Multiply that x3 to get the 3/4 time and you get 427.5. The Boss LS-2 Line Selector, Xotic Effects X-Blender, Lehle Parallel, and Badger Schism are a few that do the job. second solo: 500ms - feedback: 3-4 repeats -- delay level: 15% -- delay type: analog, Shine On You Crazy Diamond I-V Syds theme - 2016/15 Live version: They averaged from 290-310ms. The level or volume knob would be set to maximum on most delays for this. Members; porsch8. David bought an Echorec PE 603 model in 1971 that had a maximum delay time of around 377-380ms. David Gilmour's delay sounds (part 2) - YouTube - Some of Gilmour's most commonly used delay times are 300, 380, 440, 480, 540, and 630ms. - parallel delays, 380ms (both channels) and 507ms (right channel only), going to separate amps, David would play a chord, raise the volume pedal to send the signal into the SDE 3000, then lower the volume back to to zero to kill the input signal. delay time for intro and verse slide guitar: There are three different delay times on the repeats and they are slightly offset, The other is more natural sounding because it is added post amplification, which is more like what real reverb does. For most of his 2016 tour he used multiple delays for those parts, but switched to using a Boonar Multi-Head Drum Echo digital delay from Dawner Prince Electronics for the last few concerts. second solo: 490ms, What Do you Want From Me? In this clip I'm using Coming Back to Life as a reference with 700ms. Electric Mistress V2, V3, or V4: Once you have that, turn the feedback down so there are only about 3-6 repeats, adjust the delay volume to suit the song, and you are ready to go. delay time: 450ms -- feedback: 7-8 repeats -- delay level: 25% -- delay type: analog/digital mix, Another Brick in the Wall Part II (live): - Most of the delay times David Gilmour used in the early 1970s with Pink Floyd were around 300ms long, since that was the approximate delay time of head 4 on the Binson Echorecs he was using at the time. - David has used numerous types of delays in his carreer, both analog and digital. Using spring or digital reverb does not even get close, but some people struggle getting a delay pedal to sound right. Listen to some of the 5.1 live tracks separately and you can clearly hear this. The delays are set in series like this: Its not a cheap pedal (around 250$ new), but its way cheaper than an original. A key to the way David has done this is to run each delay in its own separate channel, parallel and separate from the line signal. Find the song tempo delay time as described above, so your delay is making one repeat per song beat, exactly in time with the beat. Electro-Harmonx has made a few small boxed versions of the Electric Mistress, but these have different circuits and sounds as the originals. outro arpeggio riff: 310ms, Shine On You Crazy Diamond VI-IX (Binson Echorec): It is said that he switched from an Echorec to an MXR for ease of use. David Gilmour Delay / Echo - Kit Rae One of the only audible examples of the multi heads in use in a Pink Floyd studio recording is the intro to the song Time from Pink Floyds Dark Side of the Moon. The maximum delay time of the Echorec 2 is not long enough for RLH, but David's PE 603 Echorec max delay time was 377-380ms, which is the RLH delay time. Let's do some "Echorec math." DELAY TYPES - ANALOG AND DIGITAL - David has used numerous types of delays in his carreer, both analog and digital. First is the delay, then the square wave tremolo, then both together. Too much volume from the first delay will make a mess of double tapped delay sounds on the second, so be careful not to over do it. By porsch8 December 21, 2005 in Effects and Processors. If you have a second delay, set that one in series to 930ms, 4-5 repeats, 30-35% volume. Those are not the type of parallel setup we are talking about here. Below is my replication of that 1984 ADT sound using two delays in series to two different amplifiers, in stereo. for a song-by-song list of Gilmour's delay times, but it is easy to find a delay time that works with a song tempo, even if you can't clearly hear the echo repeats when listening. The Blue - 2016/15 live version: He is also known for using the legendary Proco Rat and MXR Phase 90. If you are playing at home on your amp with delay, the delay sound will be much more apparent than when you are playing with a full band, where the delay repeats will blend in the band mix much better. This unit is an incredibly versatile digital delay that many artists use. Both in the studio and live their musicality seeps from every note, every rest, and every beat. You may also want to try setting the second delay at 760ms, double the triplet time delay (380 x 2 = 760ms). He also used an Echorec PE 603 model from 1971-75 that had a maximum delay time of around 377-380ms. David Gilmour has always made a very precise use of delays, since the early eras, even combining two delays to create his textures. 20K views 9 years ago My Delay settings for Run Like Hell as played by David Gilmour, Pink Floyd. Time intro test with backing track - 470ms and 94ms. Dan's Pick No.1: Pro-Co RAT (79) David Gilmour, or Dave to his friends, has had a constant development of tone over the four decades he's been knocking around making classic album after classic album. 5. intro: TC 2290 Digital Delay and PCM 70 Delay: Delay 1= 470ms / Delay 2 = 94ms The clip below is played with those same 428ms and 570ms delay times. How to Set Two Delays for Run Like Hell - one in 380ms and one in 507ms, in series so the 380ms delay is repeated by the 507ms delay (actual DD-2 settings shown above), Example of Two Delays Run In Stereo - parallel delays, 380ms (both channels) and 507ms (right channel only), going to separate amps, Example of Two Delays Run In Stereo - prallel delays, 380ms (left channel) and 507ms (right channel), going to separate amps. Below are examples of a few ways to set up the type of parallel signal chain used in Gilmour's rigs. Note that reverb from a pedal in a guitar signal chain before the amp can never sound exactly the same as reverb added to recording at the mixing desk, or mixed in later after the recording has been made. RLH Intro live in 1984 - Live 1984_Hammersmith Odeon and Bethlehem Pennsylvania. One set for a slighly shorter delay time, and a lower echo repeat volume, running into a longer delay with a slightly louder echo repeat will give you a very smooth sound. David Gilmour Lead Guitar Tone Tutorial - Time - GuitarLessons365 Below is a link to a song-by-song list of Gilmour's delay settings, compiled from measuring the echo repeats in official releases and bootlegs of live recordings, and from delay times visible on the LCDs of his digital delays. It was my very first delay and one of my favorite pedals for Gilmour-ish delay. When he began using digital delays in 1977 he started to use longer delay times and specific times to rhythmically work with the song tempos. bass guitar rhythm delay (two bass guitars): 294ms, 7-8 repeats Alternately, you can use 380ms as the long delay and 285ms as the short time delay, equivalent to Head 3 and Head 4 on the PE 603 Echorec, but that creates a slightly different delay rhythm than the album sound. Syd's theme: 375ms and 500ms David Gilmour Solo Tone Settings For "Time" . Gilmour used the same 294ms delay from the Echorec plus the built in vibrato from an HH IC-100 amplifier, which was a very choppy tremolo effect. What delay pedal does David Gilmour? His signature sound is a combination of mellow overdrive and clean tones, awash in combinations of delay, compression, phase, chorus and reverb.